Nocturnal Polyphony: Mobile Music-Making as Urban Compositionĥ. ‘How “Free” Is the Free Africa Festival?’Ĥ. Resonating Restrictions: Dreaming with EDM ‘In-between’ Casablanca and Montreal Music, Memory and Migration at Night: Relational Ways of Knowing through Arts-Based Collaborationsģ. Sensorial Belonging and Urban Migration: An Introduction to Sonic SignaturesĢ. Richie, Willians Santos, Sipho Sithole, Gibran Teixeira Braga, Katie Young.Ī great, engaging transdisciplinary contribution to nightlife studies, music and the city.ġ. Yet, these words, migration, migrant and migrancy, are more expansive than that as they indicate a range of movement, politics and place-making.Ĭontributions from Emilie Amrein, André de Quadros, Nick Dunn, Pol Esteve, Jillian Fulton-Melanson, Jacqueline Georgis, Masimba Hwati, Ailbhe Kenny, Seger Kersbergen, Brendan Kibbee, Áine Mangaoang, Derek Pardue, Nick Prior, Austin T. ![]() The majority of voices amplified in the book come from so-called “migrants,” understood as someone who was born in one country and currently lives and works in another. Thinking about music as an encounter allows one to appreciate the value and power of migration within the act of music-making. More specifically, they argue that the musical encounter, composed of an array of production and consumption practices, takes on particular and essential meaning at night. Sonic Signatures is an interdisciplinary collaboration of scholars and music-makers who come together to explore how music makes cities.
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